@bbcglos Forest of Dean: Day one of Cabinet of Local Change with @artnucleus artist Simon Ryder

It’s not too late: – Mitcheldean Library at 10.30-12.30 and Newnham Library at 2-4 TODAY

After today we have another 2 at each library
on Monday 3rd and the 18th JUNE

This is how we plan to work together, but it can change according to the needs of everyone – it is a pilot. The key objectives for the workshops are:

  • that we hear about you
  • you hear about us
  • Simon collects research content for blogging and following through
  • What we do together informs what art Simon makes, which will include some form of ‘cabinet’ that can contain evidence of his time in the Forest

Flow Contemporary Arts is managing and overseeing the project & Simon Ryder is the artist in residence during May & June. We won’t be available all the time but you can contact us by email with any questions and we’ll get back to you.Image

Carolyn@flowprojects.org.uk

Simon@artnucleus.org

During the project Simon will be blogging about what he learns as he does some research in the forest, which you will be able to read here.


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A day looking at art | Lights Going On

See on Scoop.itinspirational thinking in the arts

Carolyn Black‘s insight:

I know I am biased, but the way Gill from Lightsgoingon understands how we encounter art, and how good public engagement training can assist in that process, is spot-on. It’s all about empathy, what are those that produce work sharing with their audiences? Treating audiences like consumers is no longer acceptable, there are more intelligent ways to celebrate and promote art.

See on www.lightsgoingon.com

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cultural apathy, a freefall response to #mariamiller – if artists are eggs, should we preserve them for the future?

a playful provocation……one of those thoughts that grows while you drive and listen to the radio…..

Artist and egg discussion inspired by a Radio 4 programme about freezing eggs for fertility reasons, and the announcement by Maria Miller that “our focus must be on culture’s economic impact.” If the arts are, as she says “40% of tourists to the UK cite culture and heritage as the primary reason for their visit. This generates tens of billions of pounds each year for the UK economy, not only through tickets and entrance fees, but in thousands of pounds spent in shops, hotels and restaurants. All of which is delivering real economic benefits to local businesses and local communities” can someone please explain why this government aims to put all the eggs in one basket and crush them?

It came into my mind that artists are like eggs, and that embryos are the artists creative potential – unborn art. Like eggs, they need nurturing and incubating, kept in the right conditions, supported until maturity, so they can bring forth art.

If I replace the word women [seeking fertility support- those who want to bring forth] with the word culture, and the word pregnancy with the word society [as the conditions in which the embryo/artist is nurtured] an intriguing narrative arises. So I have quoted the first paragraph, and come up with the second.

The words changed/replaced (and some have been sneakily removed!) are:

Egg = artist

Women = culture

Fertility = creativity

Personal = economic

Reproduction = creative

Pregnancy = society

Cancer = cultural apathy

Treatments = government cuts

Storing frozen embryos = supporting artists

Individuals or couple = cities

Embryos = artists creative potential

Fertilize = support

IVF = economic

Educational, career or other personal goals = save money

Egg Freezing FAQ’s

Who should consider egg freezing?
Egg freezing can be beneficial for a number of reasons for women wishing to preserve their fertility for the future including:
Women who want or need to delay childbearing in order to pursue educational, career or other personal goals. Because fertility is known to decline with age, freezing your eggs at an early reproductive age will best insure your chance for a future pregnancy. Unlike the ovary and oocytes (eggs), the uterus does not age and can carry a pregnancy well in to the 40s and 50s. Frozen (cryopreserved) eggs are stored at -196 degrees, so there is no deterioration in eqq quality with time.
Women diagnosed with cancer. Egg freezing offers a chance to preserve eggs prior to chemotherapy, surgery or radiation. Most of these treatments destroy the eggs and lead to infertility. In some cases, viable eggs may be present after cancer treatment. Fertility preserving options vary depending on age, type of cancer, and cancer-treatment plan.
Women with objections to storing frozen embryos for religious and/or moral reasons. Following a standard IVF process, many individuals or couples have excess embryos. The decision to freeze these unused embryos may be difficult because the options for embryo disposition – how, when or if they will ever be used – can be an ethically and religiously complex choice for many.

Artists  FAQ’s

Who should consider artists ?
Artists can be beneficial for a number of reasons for cultures wishing to preserve their creativity for the future including:

Cultures who want or need to delay making art in order to save money. Because creativity is known to decline with age, nurturing your artists at an early creative age will best insure your chance for a future society. Unlike artists, the art does not age and can carry a society well in to the future.

Cultures diagnosed with cultural apathy. Funding offers a chance to preserve artists. Most of these government cuts destroy the artists and lead to non-creativity. In some cases, viable artists may be present after cultural apathy treatment. Creativity preserving options vary depending on age, type of cultural apathy, and cultural apathy-treatment plan.

Cultures with objections to supporting artists for religious and/or moral reasons. Following a standard process, many cities have excess young artists. The decision to freeze these unused young artists may be difficult because the options for artists disposition – how, when or if they will ever be used – can be an ethically and religiously complex choice for many.
NOTE: There is no intention here of questioning the value of fertility treatment, but rather I question the perceived value of artists in society)

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how invisible may i become?

Reblogged from expressions of an intimate ecology:

Click to visit the original post

  • Click to visit the original post
  • Click to visit the original post
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how invisible may i become,
.
how virtual in my being,
how camouflaged among the foliage,
how indistinct from any others who purport to express the same,
how discredited, how disrespected, underrepresented and misunderstood,
how taken for granted, how unacknowledged, how comfortable in my nonentity?
.
if i were to sink back and back and breathe slowly and silently…

Read more… 339 more words

this is beautiful and thought provoking. On the day following Thatchers death, a good way to reflect upon the human condition, and the impact that governments past, present and future can have on our welfare state, meaning both state in power and state as in condition of wellbeing
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Flow Contemporary Arts link was broken, sorry, all fixed now!

For those of you who are new to my practice, you may not have noticed a broken link on this website yesterday. But for those trying to get to Flow Contemporary Art’s website it must have been a little annoying.

You can read a bit more about it on this site or jump straight to Flow Contemporary Arts from here. It’s really fulfilling having so many fascinating conversations with people about future projects. Of course funding is not easy these days, but that shouldn’t stop the passion driving things along……..

One of my biggest inspirations lately is Daring Greatly by Brene Brown. If you don’t know about her look her up, she is someone who can help you remember that if you don’t take creative risks you will laways be missing something in your life. I’m not religious myself, though she is, but that doesn’t matter – it’s believing in the possibility of possibility that matters.

Another inspiration is Seth Godin – his strapline ‘GO make something happen’ says it all.

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response to an article on @BOP_Consulting website about creative industries

I’m a little bit sad about the blog by author Tom Campbell. His analysis of the creative industries being on the verge of extinction is depressing and rather worrying. He appears to think that the arrival of digital media now means anyone can create art. Really?

“Much is often made of the ‘creative process’, but it is just that, a process, and as such, it can also be an algorithm”.

I’m no mathematician, but surely algorithms rely on repetitive patterns. They don’t have an ‘imagination code’ that can be inserted. They don’t have a database of human experiences, memories thoughts and ideas that they can randomly generate. They don’t possess emotions. They are not aware of historical precedents.

Maybe I’m missing the point here, but when the printing press came out it didn’t mean anyone and everyone was/were creative enough to write a book, did it?

Campbell asserts that “very few creative occupations require professional qualifications” – I work in the visual arts and colleagues are mostly qualified to at least masters level, if not higher. As are many of the artists I work with.

I suspect that some art could be created using algorithms – the mundane formulaic art that can be found – but quality art needs imagination, intelligence and sensitivity. I don’t think the digital world has quite caught up with us on that – yet.

But fortunately the web is advanced enough for us to communicate with the world beyond the UK, so what country creatives produce in or export to is irrelevant – we are all international now.

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Preview: In Between Time festival

Reblogged from Bristol Culture:

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A shipping container that has appeared on College Green and LED lights in the trees in the garden of St Stephen's Church are just two of the signs that something is afoot in Bristol. Tonight, a moon ascending near City Hall will most certainly herald the start of the In Between Time festival.

The shipping container will feature live artwork, while the LED lights are solar-powered and part of Field Test by Alex Bradley, "lighting up a forgotten space in the city, like fireflies gathering in an urban glade".

Read more… 72 more words

looking forward to seeing it!
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